Is it sacrilege to declare that the best-looking cinéma dessus in Paris was shot by a paire of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French argent – as well as the neoclassical edifices of Mussolini’s Rome – in cool blues and shards of light as sharp https://zandergyakx.csublogs.com/39521621/le-plus-grand-guide-pour-jeux-vidéo